作品さくひんFree Graded Reading

娘の生霊The Daughter's Living Ghost

Musume no Ikiryō

by 田中 貢太郎 · Tanaka Kōtarō

JLPT N1Short StoryQuiz ready

A tailor is visited by a young woman's spirit who tries on a dress and vanishes, leaving only the garment behind.

About this story

A seamstress finishes a dress for a speculator's daughter late at night, only to witness a supernatural disappearance.

Read a sample in Japanese

某ぼう相場そうば師しの娘むすめが、父親ちちおやにねだって買かってもらった衣服いふくを、知しりあいの裁縫さいほう師しの処ところへ縫ぬいわしにやった。なにしろ相場そうばで巨万きょまんの富とみを積つんだ家いえのことであるから、その衣服いふくも金目かねめのかかったりっぱな物ものであったろう。またそうした衣服いふくであるから期日きじつも急いそぐので、裁縫さいほう師しは他たの仕立物したてものを後廻あとまわしにして裁縫さいほうにとりかかったが、期日きじつが翌日よくじつの朝あさになっているので、その夜よるは一時いちじ近ちかくまで仕事しごとをして、やっと縫ぬいあげたところで客きゃくがあった。裁縫さいほう師しは夜よる遅おそくなって何なん人にんが来きたろうと思おもって、入口いりぐちの雨戸あまどをあけると、それは相場そうば師しの娘むすめであった。「おや、まあ、お嬢じょうさん」娘むすめは光沢こうたくのいい顔かおに微笑びしょうを見みせた。「明日あしたの朝あさまでに、どうかと思おもって、見みに来きたのよ」「やっと出来できあがったところでござんすの」「そう」裁縫さいほう師しは娘むすめを上うえへあげて、胡えびす蓙ござの中なかに包つつんであった彼かれの衣服いふくを執とって見みせた。すると娘むすめは、「ちょっと」と云ゆって、それを着きるなり、ずんずんと表ひょうの方ほうへ出でて往ゆくので、裁縫さいほう師しは驚おどろいて、
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Source

This text comes from Aozora Bunko (青空文庫), the volunteer-run library of Japanese writing that is out of copyright. See this work on Aozora Bunko

Base edition (底本): 「伝奇ノ匣6 田中貢太郎日本怪談事典」学研M文庫、学習研究社
2003(平成15)年10月22日初版発行

Typed in by Hiroshi_O. Proofread by noriko saito.

Yomimaru has not changed the spelling or the wording.

The furigana are Yomimaru's.

What you'll learn

A stockbroker's daughter commissions an expensive dress from a seamstress. The seamstress works through the night to finish it. The daughter arrives late at night, tries on the dress, and mysteriously vanishes, leaving only the dress behind. The next morning, the seamstress learns the stockbroker family has fled after a huge financial loss, realizing the daughter was a ghost.

Language difficultyIntermediate · 55/100

Key vocabulary

相場師そうばしstockbroker
裁縫師さいほうしseamstress
ねだるto coax, to pester (for something)
金目きんめのかかるcostly, expensive
後廻あとまわしpostponement, putting off
ずんずんbriskly, quickly (walking)
おおがらを啖くうto suffer a huge loss, to go bankrupt
夜逃よにげnight flight (escaping at night)

Grammar points you'll meet

  • ~て(で)もらう N4Receive the favor of someone doing something (causative of receiving). Here, the daughter had her father buy the clothes.
  • ~させる(使役) N4Causative form: to make/let someone do something. Here, the daughter had the seamstress sew (缝わせる is used in older form 縫わしに).
  • ~てしまう N4To do something completely/regrettably. Here, the seamstress finished sewing (缝いあげた).
  • ~ところで N1Just when (something happened). In classical usage, it can mean 'at the point when'. Here, 'just when she finished sewing, a visitor came.'
  • ~て(で)ある N4State of having been done (transitive). Here, 'the clothes were wrapped in tatami mat' -> 包んであった.
  • ~てたまらない N3Cannot stand, extremely. Here, 'the seamstress was extremely curious' -> 不思議でたまらない.

Cultural notes

  • Classic Japanese Ghost Story (怪談)This story is reminiscent of kaidan, traditional Japanese ghost tales often involving restless spirits tied to objects or unfinished business. The daughter's spirit appears fully materialized and then vanishes, leaving only the dress—a classic motif of tsukumogami or spirit attachment.
  • 夜逃げ (Night Flight)夜逃げ refers to secretly fleeing one's home at night to escape creditors or disgrace. In the context of the stockbroker suffering a huge loss (おおがらを啖う), this was a common fate for failed speculators in pre-modern Japan, highlighting the precariousness of wealth.
  • 裁縫師 (Seamstress) as a Social RoleIn Edo-period Japan, seamstresses (裁縫師) were skilled artisans who often worked from home, taking orders from wealthier clients. The story emphasizes the trust and urgency involved in custom garment making, as well as the social gap between the clients and the craftswoman.

Try a comprehension question

Why did the seamstress postpone other work?

  1. Because she was asked to finish the dress by the next morning.
  2. Because she wanted to start a new project.
  3. Because she was expecting a visitor.
  4. Because the dress was not expensive.
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Sensei's reading tip

Pay attention to the use of classical verb forms like 縫わしに (causative) and 出て往く (old form of 出ていく) to understand the historical setting.

Topics & grammar

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