作品さくひんFree Graded Reading

鬼The Demon

Oni

by 織田 作之助 · Oda Sakunosuke

JLPT N1Short StoryQuiz ready

A mysterious encounter with a demon that challenges human understanding

About this story

A narrator ponders the poverty of a gifted but prodigal writer, challenging societal stereotypes about money and talent.

Read a sample in Japanese

一いちはじめのうち私わたしは辻つじ十吉じゅうきちのような男おとこがなぜそんなに貧乏びんぼうしなければならぬのか、不思議ふしぎでならなかった。人ひとは皆みな彼かれのことを大阪おおさか人じんだと言いっている。大阪おおさか生うまれだという意味いみではない。金銭きんせんにかけると抜目ぬけめがなくちゃっかりしていると、軽蔑けいべつしているのである。辻つじという姓せいだから、あの男おとこは十じゅうに辶をかけたような男おとこだと、極言きょくげんするひとさえいる位くらいだ。それはひどいと私わたしはそんな噂うわさを聴きいた時とき思おもった。しかし、彼かれの仕事しごと振ふりを見みていると、やはり金銭きんせんのために堕落だらくしているのではないだろうかと、思おもわれる節ふしがないではなかった。彼かれが風変ふうがわりな題材だいざいと粘ねばり強づよい達者たっしゃな話術わじゅつを持もって若わかくして文壇ぶんだんへ出でた時とき、私わたしは彼かれの逞たくましい才能さいのうにひそかに期待きたいして、もし彼かれが自重じちょうしてその才能さいのうを大事だいじに使つかうならば、これまでこの国くにの文壇ぶんだんに見みられなかったような特異とくいな作家さっかとして大成たいせいするだろうと、その成長せいちょうを見守みまもっていたのだが、文壇ぶんだんへ出でて二に三さん年ねんたたぬうちに、はや才能さいのうの濫費らんぴをはじめた。
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Source

This text comes from Aozora Bunko (青空文庫), the volunteer-run library of Japanese writing that is out of copyright. See this work on Aozora Bunko

Base edition (底本): 「聴雨・蛍 織田作之助短篇集」ちくま文庫、筑摩書房
2000(平成12)年4月10日第1刷発行

Typed in by 桃沢まり. Proofread by 松永正敏.

Yomimaru has not changed the spelling or the wording.

The furigana are Yomimaru's.

What you'll learn

The narrator reflects on Tsuji Jūkichi, a writer known for being stingy, but slowly reveals his chaotic financial management.

The narrator elaborates on Tsuji's extreme sloppiness: he neglects personal matters, let's money expire, and his lifestyle is chaotic.

Tsuji finally agrees to remarry, but his workaholic tendencies cause problems, and a currency reform complicates his finances.

Language difficultyIntermediate · 65/100

Key vocabulary

貧乏びんぼうpoverty, poor
抜目無ぬけめないshrewd, sharp, not missing a trick
ちゃっかりshrewdly, opportunistically
高利貸こうりがしmoneylender (charging high interest)
ズボラslovenly, careless, negligent

Grammar points you'll meet

  • ~でならない N2Indicates that a feeling is so strong it cannot be helped; 'cannot help but feel'.
  • ~くらい~はない N3Used to indicate that something is the most extreme; 'there is nothing as ~ as'.
  • ~たことがある N5Indicates experience of doing something; 'have done something before'.
  • ~てみる N4Indicates trying to do something; 'try doing'.
  • ~てしまう N4Indicates completion of an action, often with a nuance of regret or finality.

Cultural notes

  • Post-War Currency ReformThe story references the 'Financial Emergency Measures' and 'old currency' (旧券) vs 'new currency' (新券). This refers to the 1946 currency reform in Japan, where old yen notes were frozen and new yen issued to combat inflation.
  • Black Market (闇市)During and after WWII, black markets flourished. The text mentions buying cigarettes and sugar on the black market, and later selling '証紙' (stamps used to validate old currency).
  • Literary World in Early ShowaThe story describes the competitive nature of the literary world, with writers taking on multiple jobs (scenarios, radio plays, etc.) to earn money. The protagonist's workaholic attitude reflects the pressures on writers.

Try a comprehension question

Why does the narrator initially think Tsuji is stingy?

  1. Because he is always borrowing money.
  2. Because he is known for being shrewd and never missing a chance with money.
  3. Because he refuses to pay for meals.
  4. Because he hides money in books.
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Sensei's reading tip

Pay attention to the contrast between the narrator's perceptions and reality; the story uses this to build character.

Topics & grammar

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