作品Free Graded Reading
ぼろぼろな駝鳥The Tattered Ostrich
Boroboro na Dachō
by 高村 光太郎 · Takamura Kōtarō
A passionate denunciation of an ostrich's captivity in a zoo.
About this story
A poetic monologue questioning why an ostrich is kept in a cramped zoo pen, longing for its natural home.
Read a sample in Japanese
Source
This text comes from Aozora Bunko (青空文庫), the volunteer-run library of Japanese writing that is out of copyright. See this work on Aozora Bunko
Base edition (底本): 「近代詩の鑑賞」さ・え・ら書房
1958(昭和33)年3月20日第1刷発行
1971(昭和46)年4月10日第2刷発行
Typed in by 倉本理恵. Proofread by Juki.
Yomimaru changed the spelling to modern kana and modern kanji.
The furigana are Yomimaru's.
What you'll learn
The speaker criticizes keeping an ostrich in a small zoo enclosure, pointing out its oversized features, tattered feathers, and distant gaze, ultimately calling for an end to such confinement.
Key vocabulary
| 駝鳥 (だちょう) | ostrich |
|---|---|
| 四坪半 (よつぼはん) | four and a half tsubo (about 15 sq meters) |
| ぬかるみ | mud, muddy place |
| 大股 (おおまた) | long stride, wide step |
| 頚 (くび) | neck |
Grammar points you'll meet
- ~過ぎる N5Means 'too much' attached to verb/adjective stem.脚が大股過ぎるぢゃないか。
- ~ぢゃないか (archaic じゃないか) N4Rhetorical question or emphatic statement: 'Isn't it?' or 'It is, isn't it?'脚が大股過ぎるぢゃないか。
- ~てゐる (archaic ている) N4Progressive or state: 'is doing' or 'is in state'.駝鳥の眼は遠くばかり見てゐるぢゃないか。
Cultural notes
- Ostrich in Japanese PoetryThe ostrich, an exotic animal in Japan, appears in modern poetry as a symbol of captivity and alienation. This poem uses the ostrich to critique human confinement of nature.
Try a comprehension question
What is the speaker's overall attitude towards keeping the ostrich in the zoo?
- Critical and disapproving
- Admiring and fascinated
- Indifferent and detached
Sensei's reading tip
Pay attention to the repeated rhetorical question pattern 'ぢゃないか' to understand the speaker's tone of criticism.
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